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KUNG FU SAN SOO FORM
Excerpt from the book "Kung-Fu San Soo from Principle to Technique"
Copyright
© 1986 Master Robert Shores

A form or kuen is a series of movements which incorporate the fundamental skills of stance, footwork, kicking, punching and blocking. A form is a representation of fighting which teaches correct body movements for the generation of power through balance, controlled breathing and movement of weight.

The style of movement in form should be smooth and flowing. There should be no hesitation between the movements unless specifically intended for greater emphasis of a particular technique. The hands should be very expressive in form, almost as though they talk. The movements can be compared to moving in water. When you move slowly in water, movement is easy and natural. If you fight the water the movements are awkward and clumsy.

Movement in form should always be natural and relaxed. When learning new movement skills they may seem difficult This feeling is created by a lack of mind body unity. With time and practice even the most difficult movements will be readily performed with both style and grace.

Forms are excellent vehicles for self expression in San Soo. Once the technical aspects of a form have been learned, a student should seek to make that form his own, and use it to express his personal element or style.

In general the forms of San Soo will consist of a six movement opening salutation, nineteen movements of the form proper and a closing salute. There are literally hundreds of these twenty-six move forms in San Soo. Grandmaster Woo broke them down from longer forms which I was told, were based on the Chinese lunar calendar. It took one year to learn a form at one movement a day. Jimmy realized Americans (for the most part) lacked the patience and dedication necessary to learn in this fashion. He divided the forms into twelve per year. This also made it easier to incorporate new students into his classes.

Forms may be practiced with or without weapons. All the forms of San Soo can be adapted to weapons, although some will lend themselves more readily to this than others. For example one form may be perfect for the staff, yet awkward with the sword. It must be remembered that each form has its own character. The more you understand form, and the more you know about weapons, the easier it becomes to choose the appropriate weapon for that particular form.


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